After Effects: Experimentation Assignment 11 | Motionworks
Watercolour on paper is a popular motion graphics style and I’ve turned to stock footage on more than one occasion for that look. It is possible though to create this look in After Effects, and for my latest experiment while playing with the Foam and Turbulent Displace effects I started zeroing in on a watercolour look, that while still rough is pretty convincing.
So for Experiment 11 we’re going to concentrate on watercolour looks and this time I’m going to offer my project file as a starting point if you need it. See if you can improve on mine or start from scratch using your own selection of effects. The object here is to make convincing watercolour looks using only standard After Effects tools. Post a JPG or a link to a movie in the comments. We may even collect the best and make them available as a download. Download Project
Related Articles
After Effects: Experiment Assignment 10
Trapcode Form is one of my favourite plug-in effects for all kinds of organic and abstract looks. For Experiment 10 I focussed on the Quick …
After Effects: Experiment Assignment 9
For this experiment I combined the Circle effect with CC Griddler, CC Mr Mercury, CC Color Offset, Brush Strokes and Unsharp Mask, for a result …
After Effects: Experiment Assignment 8
An abundance of third party plug-ins is one of the things that makes After Effects so flexible and Trapcode make some of the most popular …
Stay in touch with our Newsletter
Get exclusive sneak peaks, tutorials and special offers without spam.
| Your Name | Your Email address | |
8 Responses to this post
-
Joe M
November 11, 2013 at 1:56 pm | Reply
Used with CC Glue Gun, Roughen Edges, Turbulent Displace and CC Vector Blur.

-
John Dickinson
November 12, 2013 at 8:29 am | Reply
Looking good Joe. What might make this even better is if you can get more blend between the colours, with areas of semi-transparency. That might not be possible with a single layer but if you duplicate and combine with blend modes that could do it. Best, John.
-
-
Jack Sewell
November 12, 2013 at 5:47 am | Reply
Love it! Wonderful job John. Perfect for getting my AE feet wet again. Or at least inky…..
-

-
John Dickinson
November 12, 2013 at 12:39 pm | Reply
Good stuff Cendrick, it would be nice to see it a little more faded and on a lighter texture too.
-
-

-
John Dickinson
November 14, 2013 at 9:03 am | Reply
Looks good Misi, especially on the textured background. How did you get the edges to be brighter in the blue areas?
-
-
Misi
November 14, 2013 at 11:17 am | Reply
Hello John,
Great to hear that! Thank you!
It is the nature of the Foam Fx render, Orange and soda, plus it is applied with overlay transparency on the blueish background with a really extreme curve setting that crushed the too orange and purple vivid, vibrant colours into something less saturated and toned.
Leave a Reply
Name (required)
Email (required)
Website
Notify me of followup comments via e-mail
Notify me of new posts by email.
The Pixel Lab has released Design Bits, their largest collection of Cinema 4D models yet, with over 180 models in the pack.
Infinite Skills has released new Cinema 4D training with Chris Martin, including Cinema 4D to After Effects techniques, fluid dynamics, comping green screen footage into a 3D scene plus an in-depth look at the MoGraph module.
Simply brilliant titles for Analogue/Digital Creative Conference by Brisbane-based Breeder.
Muse Creative has released a set of detailed and customisable billboard rig presets for Cinema 4D. The set includes standard and Vray versions.
Check out these stylish, light leak footage elements, created by filming shards of glass and crystal.
Eyedesyn has released a new pro version of Text FX, with new presets and features, including support for Cinema 4D Lite.


© copyright 2011 Motionworks. All rights reserved. All other work and brands copyright to their respective owners. Privacy Policy | View Cart

















