Black & White Gum Print Workflow: Materials & Method © 2016 - The Gum Bichromate Journal
Black & White Gum Print Workflow: Materials & Method © 2016
Paper: Rives BFK, white, 250 grams, mouldmade, 100% cotton, neutral PH, hot pressed.
Pigment: Winsor & Newton Professional Watercolor, Lamp Black
Winsor & Newton Designers Gouache, Lamp Black

Sensitizer
I use Ammonium Dichromate for the sensitizer. Working with the 1:1 ratio as a starting point I use 12 “droppers” (as much solution of either gum or sensitizer as the stem of the dropper can hold) gum arabic to 12 “droppers” of sensitizer (for a total of 24 “droppers”) with about ½ inch to ¾ inch “worm” of pigment (*only about ¼ inch for gouache). Altering the ratio (even slightly, for example: less droppers of gum to sensitizer–i.e. 10 droppers of gum to 14 droppers will produce less contrast and more drops of gum to sensitizer will produce greater contrast (i.e. 14 droppers of gum to 10 drops of sensitizer).
Making the Print: Cyanotype
I use Cyanotype as the first layer to add detail and enhance the D-max. I do a 20-minute exposure (enough to achieve tone in step #3) before any gum layer is put on.
Making the Gum Print: Coating
After the Cyanotype layer, I start with a short exposure to produce tone no greater than step 2/3 to establish the shadows. My exposure for the first set is 1 minute 30 seconds (at a 12 droppers gum: 12 droppers sensitizer ratio). The seconds set is longer at 6 minutes 30/45 seconds (at a 13 droppers gum: 11 droppers sensitizer ratio) and produces tone up to step 8 to establish the mid-tones and highlights. For more density in the shadows, I then add a short exposure (at a 14 droppers gum: 10 droppers sensitizer ratio) for about 2 minutes (for no greater than step 3). Finally, to add a little “kick” to the shadow and give more depth to the print, I use lamp black gouache (at a 15 droppers gum: 9 droppers sensitizer ratio) as a final layer with a 30 second exposure time (no more than step 2).
Making the Gum Print: Development
I “still” develop the FIRST SET in a tray of water (about 68-75 degrees) for about 5 minutes until the boarders of the print start to clear–then in a second tray with cold water for about 10-15 minutes and change to cold water (warm water as needed) at 5-minute intervals for a total of 30 minutes development time. For the SECOND SET (as well as any additional sets), I still develop in a tray of water (about 68-75 degrees) for about 5 minutes until the boarders of the print start to clear then in a second tray with cold water (warm water as needed) for about 10 minutes and change water at 5 minute intervals for a total of 30 minutes development time. After each exposure, I also immerse the print in a tray of 1% Potassium Metabisulfite solution to keep the boarders white.
Making the Print: Workflow (exposure times may vary)
· Layer #1 Cyanotype – 10ml of each A/B Cyanotype chemistry. Exposed 20 minutes (enough to achieve tone in step #3).
· Layer #2 Gum Bichromate Lamp Black Watercolor – at 1:1 gum to sensitizer ratio (12 full eyedroppers of gum and 12 full eyedroppers of ammonium dichromate). Expose for 1 minute 30 seconds (enough to achieve slight tone in step #3) and “still” developed for ½ hour in cold/warm water.
· Layer #3 Gum Bichromate – Lamp Black Watercolor – 13 full eyedroppers of gum and 11 full eyedroppers of ammonium dichromate. Expose for 6 minutes 30/45 seconds (enough to achieve slight tone in step #8) and “still” developed for ½ hour in cold/warm water.
· Layer #4 Gum Bichromate – Lamp Black Watercolor – 14 full eyedroppers of gum and 10 full eyedroppers of ammonium dichromate. Expose for 2 minutes(enough to achieve tone in step #3) and “still” developed for ½ hour in cold/warm water
· Layer #5 Gum Bichromate – Lamp Black Gouache ONLY A QUARTER INCH OF PIGMENT– 15 full eyedroppers of gum and 9 full eyedroppers of ammonium dichromate. Expose for 30 seconds (enough to make step #2 disappear) and “still” developed for ½ hour in cold water.
- Tagged:
- Alt Pro,
- Alternative Processes,
- alternativeprocesses,
- Art Photography,
- black and white,
- darkroom photography,
- Digital Negatives,
- Gum Bichromate,
- Gum Bichromate printing,
- gum printing,
- Gumbichromate,
- gumprints,
- Negative,
- Negatives,
- non-silver,
- Photography,
- tonygonzalezartist
Published by gumbichromatejournal
Tony Gonzalez is an artist currently living in New York City. He received his BFA from the Cooper Union School of Art and his MFA from Yale University. In addition to working as a fine art photographer, Gonzalez has taught photography for 30 years including at The Cooper Union, Pratt Institute and New York University. Since 2002, Gonzalez has been teaching full-time at Queens College, CUNY and is currently a Tenured Professor and Deputy Chair of the Photography & Imaging program. Gonzalez is a contributing author for The Book of Alternative Photographic Processes, Second Edition and Third Edition by Christopher James and is featured most recently in the news book Gum Printing, A Step-by-Step Manual Highlighting Artists and Their Creative Practice by Christina Z. Anderson and Alternate Processes in Photography by Brian Arnold. View all posts by gumbichromatejournal