Testing, testing, one, two, three.

All right, it's April 3rd, 8.43 a.m. I'm on the 101 South going to work. I believe are just passed. I'm going under an exit that says Lucas Valley Road. Freedis North San Pedro. So, um, must be the exit where that boy school is, but I can't remember the name of it. I woke up earlier than normal this morning, but I finally figured out how to dictate or transcribe my. I'm dictating these little audio notes that I leave for myself. Yeah, and I actually think I finally settled on a flight of forest design stamp design. I'm going to look for use in the story and I am going to probably order a custom stone stamp online talking to a guy on Etsy right now. So anyway, let me stop this and start the next one.

Okay, so in the shower today I was thinking about the story again and how to, you know, the ideas that Florence witnessed in accident was saved by the old lady, but the old lady's not to be found anymore. And the old lady, so that when the police arrived, or I guess maybe when Florence runs home, the police eventually make it to her house. And they just, you know, Florence's mom is asleep, but, you know, they arrived to tell her father what had happened and they need to know, you know, what was she doing in the middle of the road. And that's when she tells them she was trying to save the old lady. And at the end of it, you know, Florence goes off on talking about the old lady and how she was there looking for her son and everything. However, there's no trace of the old lady. So the officer says, though, I mean, he's never heard of an elderly Hispanic woman walking around an elderly Mexican woman walking around town. So I mean, he'll write that in his report, but, you know, unless, you know, they find an old lady, you know, this is, this is a serious matter because we have someone claiming something happened that did not. So, yeah. Now, the officer also has an envelope in his hand. And, either he gets the envelope, notice another thing up to you, either he gets the envelope from the crashing, which I think is kind of impossible. Or, and, but, you know, if it's not intended for Florence, then why would he bring it? You know, and if he knows about the previous Florence, then why would he bring it? And do I allow him to bring it in the story and reveal who the previous Florence is later thus, you know, making the police officer none the wiser about the imaginary previous Florence. So that would mean that there is no such thing as a previous Florence that would hint to it. But yeah. So there's that. Now there's the consideration of who this previous Florence is. Oh, man. The previous Florence is a figment, you know, of Florence's imagination. She's kind of like an invisible friend, but it's in her invisible self in the future. She doesn't know it yet, but she will, she will essentially leave Texas run away. She will take take a one way flight to Egypt. Now, she will be a very different person by the time that happens. You know, I, so I can see her, you know, if she's, you know, 12 years old, wearing the clothes that her, you know, helping her mother, so her own clothes. Reading the Bible. Playing with dolls. That sort of thing to a freshman in high school or sophomore in high school. So, you know, with, you know, kind of a beatnik, kind of attitude about herself. Dresses in clothing that she finds its secondhand shops that look like they were purchased from around the world. Where there's anchors, you know, that kind of stuff. So does, is that the new Florence? And does that Florence appear to the, to Florence in the story? Is this who we're talking about as the previous Florence? Yeah. Oh, oh, man.