Audio from University of California, Berkeley
Transcription
Okay, just right on campus. I'm not. I've been thinking about the role of part in the story because if Adam really is going to want to kind of rail tour of Europe, that somehow ends up in a side-chipped Egypt from Athens. We've got to see the tiny connections. For example, perhaps you could talk about paintings of places that were also settings of other novels that the story can identify with, like the one from the collector or other novels, perhaps Louisville or even novels of self-discovery through travel. What else? Adam mentioned the painted glass tilapia to begin to kind of tie in the whole thing glass. Churches and cathedrals through Adams kind of inability to see his true self. Another one of those pieces could be the bust of Nefertiti in Germany and what that means to him. Now Google is his side-kick, it's his expert and he comes along and he comes and retelling him. What's what? He tells him that the bust of Nefertiti is actually one of two that were recovered and that there's one in Egypt as well. So you're onically the Egyptians with the Germans keep the better one. So you think of more references like that.