Can everybody fill in this room? Perhaps one at one the other that000 cant iron so nice There are only those in Nebraska Have fun I'm sure PEX is the makest Point up, call it! Okay. Jholt bucks right here in there. Yeah, I wasn't giving it. I was my own worst enemy. And like all enemies. So if those are... So I'm going to follow some enemy with them with panels. And do the first with three, the second with... The second is with two, the third is with one, so it's between one. And then the next panel would have to. And if we're following the path of the eye, then the panels go from the sky down to the bridge. And it would be a scene in which... And then the panel would be... But people telling them not to jump. They would put them in the water. And it would be... No enemy. Yeah, no, no. Not to jump. Not to the eye was not giving it. And then... Second panel... The jumper, whose nose is in and cuffed. And then the nose ring by the zone cuff is telling the fly. And then the third thing is cuff flying away with the... So that would mean that the next either side will change. And the drowning range nose or... And the hocks. And then the other side will change. That would be great for them. So that would be page 123. And page 123 starts to change. And then... That's what I can do. Jump out like that. That is potentially... That's how it works. That's how it works. That's how it works. Jump out of the steamer. Jump out of the steamer. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. That's how it works. I guess I should walk. That's funny.

Okay, I have to record this again. Let me test the mic.

Okay, I have to start all over because the mic wasn't plugged in. Page 1 is finished. It ends with fog and the golden gate bridge. That may be the case, but panel 1 of page 2 actually starts with I wasn't getting it. That theme is the theme of a man standing off ledge about to jump. And people begging him not to. And the people begging him, we're going to look very similar to the mourners. They're me done in style with the mourners. You know men and women together and they'll most likely be on the bridge. And maybe he'll be higher up. I'm not really sure because the mourners are clearly looking up and I figured out how to reuse them. So anyway. The second panel on that page is going to say in fact I was my own worst enemy. And that's when you show the man who's jumping suddenly look up at the sky. But it will be in a pose in which his neck is clearly being pulled like an enemy. Like the man on the head on the normal palate. He will be looking up because his head is being pulled from a chain that's attached to his nose and the nose ring. And this chain is being held by a hot, a red-tailed hawk. And I get it. It goes up so I can do a really nice red-tailed hawk. And that hawk will be his cow. It is so essentially or that's driving him crazy. And because Saul wants to get out and get to the afterlife he wants to get him to die. And maybe in fact it will be him jumping because instead of being, because then I would need another scene there. Well maybe that is, yeah, because I'm having two panels there. So two panels and then the man jumping in the last panel is him. This panel is third page that has the drowning scene where he bends in the water and the hawk is flying away. And either the chain is still attached to his nose or it's attached to the hawk's leg or it's flying through the air. And that scene I will say, and like all enemies I was defeated or had to be defeated. And then page four is a scene that has the narrator who is the protagonist staring silently at what will most likely be. Newt sitting beside him and Newt will be saying nothing, he will be, but the narrator will be looking at her. Looking for an answer with one, and he'll just say well. And Newt will respond saying that Soft is not pleased with this story. And we'll see why. And it will be because the afterlife, until reply, the afterlife is not something that can be taken. It is granted. Only and only when one has leads a life story worth telling or leads a life of us. So if I go down this road, then I've already taken the mystery out of the jumper. And it just looks like another story. Page four should actually say something like before I get into that. But before I continue, let me start from the beginning. But before I continue, let me start from the beginning. Now is the beginning. The scene that's described, or is it the scene being visited by Newt? You can think about that some more.