Okay, it's 4.55 January 7th and I'll turn on to East Washington and I just got a really cool idea. I was trying to figure out, you know, the interconnectedness of Rosa and Horace. And I couldn't really get my thoughts together plus I'm just kind of tired at the end of the day. So I listened to Alexandria Cortet and I wanted to just keep the... you know, constantly using bird metaphors and illusions. And I don't know how I got to this but I realized that Rosa is actually a product, a byproduct of my life. I had an attempt to fill the gap of the missing letters. Meaning I have, because Egypt was the great disposal well, I have the letters that Florence sent to Nassim. I don't have Nassim's to Florence and essentially the story is that is founded upon the idea that perhaps Rosa has them and has written the story. The story itself is the gap, is fills the gap. And that's essentially what I'm doing. It's the reverse of reality. And so Rosa knows about Nassim's family and his mother, not Nassim, Horace's family, his mother and father because she has the letters. And so when I was thinking earlier about the end where Horace goes home and says he never told Rosa, well that's how Rosa wanted it. She wanted to experience it all on her own and to see what the actual story created, the story that told the story is a super meta. But it's possible there's something here. And so in the end you have Rosa, after Horace tells the bartender he never told Rosa, you then have Rosa explaining it to the publisher. He's explaining her side, saying, maybe the publisher is reading an excerpt from one of the letters. But I also have to remember what part of the Alexandria quartet was I listening to. It's basically the role that Justine plays. She is both the book and his muse. And in some ways Rosa is that. So the big question is, what if Rosa knew and what if the product, like what if Rosa had actually had in her possession, that's his letters, meaning Naseem's letters to Florence. And that on a freak chance their son came in and met, you know, and she actually, and was in her presence. So what would she do? Would she, and so, you know, this crazy story that she's working on this mystery is indeed the very story that you're reading. All right, have to think about that some more. It's got possibility.